An English Medieval and Renaissance Song Book

Part Songs and Sacred Music for One to Six Voices
Reprint of An English Song Book, Doubleday & Co., Garden City, New York, 1961
Dover Vocal Scores

N. Greenberg: An English Medieval and Renaissance, Gch (Chb) (0)N. Greenberg: An English Medieval and Renaissance, Gch (Chb) (1)N. Greenberg: An English Medieval and Renaissance, Gch (Chb) (2)N. Greenberg: An English Medieval and Renaissance, Gch (Chb) (3)
fürGemischter Chor a cappella
AusgabeChorbuch
Artikelnr.149012
HerausgeberNoah Greenberg
Spracheenglisch
Umfang224 Seiten; 14 × 20,3 cm
Erscheinungsjahr2005
Verlag / HerstellerDover Music Publications
Hersteller-Nr.DOV413748
ISBN9780486413747
UPC0800759413744

Beschreibung

This treasury of 47 vocal works — edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua — will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley.

Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angús Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man."

Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII — who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes.

Inhalt

  • A Robyn Gentil Robyn (William Cornysh)
  • About The May Pole (Thomas Morley)
  • Agnus Dei (Thomas Tallis)
  • Alas Departynge Is Ground Of Woo (Anonymous)
  • Alas, What Hope Of Speeding (John Wilbye)
  • Alleluya Psallet (Anonymous)
  • Angelus Ad Virginem
  • Beata Progenies (Leonel Power)
  • Blow Thy Horne Hunter (William Cornysh)
  • Blow Thy Horne Thou Jolly Hunter (Thomas Ravenscourt)
  • Cease Mine Eyes (Thomas Morley)
  • Crist And Sainte Marie (St. Godric)
  • Death Hath Deprived Mee (Thomas Weelkes)
  • Deo Gracias Anglia (Anonymous)
  • Edi Beo Thu Heven Quene (Anonymous)
  • Emendemus In Melius (William Byrd)
  • Gloria (John Taverner)
  • He That Will An Ale-house Keepe (Thomas Ravenscourt)
  • I Goe Before My Darling (Thomas Morley)
  • Jusy Cristes Milde Moder (Anonymous)
  • Leave Alas This Tormenting (Thomas Morley)
  • Man Mei Longe (Anonymous)
  • New Oysters (Thomas Ravenscourt)
  • Nova, Nova (Anonymous)
  • Nowel Syng We Bothe Al And Son (Anonymous)
  • Nunc Dimittis (Thomas Tomkins)
  • O Lord Turne Not Away Thy Face (Thomas Ravenscourt)
  • O Lord, Increase My Faith (Orlando Gibbons)
  • O My Hart (King Henry Viii)
  • Oken Leaves (Thomas Ravenscourt)
  • Quid Petis O Fili (Richard Pygott)
  • Remember O Thou Man (Thomas Ravenscourt)
  • Salvator Mundi (Thomas Tallis)
  • Sancta Maria (John Dunstable)
  • Sanctus (Roy Henry)
  • Sumer Is Icumen In (Anonymous)
  • Susanna Fayre Sometime Assaulted Was (William Byrd)
  • Tan Ta Ra Ran Tan Tant (Thomas Weelkes)
  • Thus Saith My Cloris Bright (John Wilbye)
  • Tosse Not My Soule (John Dowland)
  • Wee Be Three Poore Mariners (Thomas Ravenscourt)
  • Weepe Forth Your Teares (John Ward)
  • What If I Never Speed [Dowland, John]
  • What Shall I Part Thus (George Kirbye)
  • When First By Force Of Fatall Destenie (William Byrd)
  • With Owt Dyscorde (King Henry Viii)
  • Worldes Blis Ne Last (Anonymous)
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