Inhalt
- Foreword by Donald Palma
- About Orin O'Brien
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- Introduction and Acknowledgements
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- ARF: Automatic Response File
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- Before You Play
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- Daily Practice Schedule Recommended
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- Four-Year Plan (For Conservatory and Private Study)
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- Recommended Study Material for Reading and Listening
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- Daily Warm-Up Finger Exercises (L.H.)
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- Frederick Zimmermann's A Contemporary Concept of Bowing Technique for the Double Bass Explained
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- Shifting Practice
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- Scale and Arpeggio Suggestions
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- Frederick Zimmermann's Editor's Note
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- Intonation Etude in D Major by T.A. Findeisen
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- Explanation of Hooked Bowings
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- Re-taking of Bow (Bow Retrieval) Etude by T.A. Findeisen
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- F. Simandl: Etude No. 13 from Gradus ad Parnassum
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- Articulation Terms
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- Rotation System of Practice (For Learning Difficult Passages)
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- Professional Behavior and Auditions
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- Basic Principles of Orchestral Playing
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- Repertoire Most Often Requested at Double Bass Auditions
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- Comparison Chart of Three Basic Styles of Music (Baroque, Classical and Romantic)
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- Becoming a Team Player by Jeanne Baxtresser
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- Audition Form Used at Professional Auditions
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- Beethoven, Symphony No. 9, Op. 125: Movement 4: Recitative (Score Articulations and Bowings)
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- Ginastera's Variaciones concertantes: Double Bass Solo by Orin O'Brien
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- Analytical Practicing by Barry Green
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- The Prague School (Courtesy of the Bass Club of Chicago)
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- Chamber Music for the Double Bass (Essential Repertoire)
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- Photos of Correct Left-Hand Position and Correct German and French Bow Grip