Inhalt
- Miri na Fëanor (Jewels of Fëanor)
- Tinúviel (Nightingale)
- Ancalagon i-môr (Ancalagon, the Black)
- Arwen Undómiel (Evenstar)
- Dagor Delothrin (The War of Wrath)
- Thuringwethil (Woman of Secret Shadow)
Amstel Concert Band
After 30 years, composer Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his Symphony No. 5 Return to Middle Earth. Although there are some thematic reminiscences of his monumental first symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into this new symphony. There is an important role for a solo soprano and a mixed choir: they sing in Ilkorin, one of the Elvish languages of Middle-Earth. The Orcs and other thugs also take the stage, but they only use raw screams in their own language, also known as 'black speech'.
The symphony was commissioned by The Middle Earth Consortium Project, organized by the Valparaiso University in Valparaiso, Indiana (USA). The World Premiere took place November 3rd, 2018 with the composer conducting.
In 2019 several other important premieres were presented, respectively the Asian Premiere with Osaka Shion Wind Orchestra, conductor Johan de Meij, the European Premiere with Harmonie St. Michael Thorn, conductor Ivan Meylemans, and the German Premiere with Landesblasorchester Baden-Württemberg, conductor Björn Bus.
Explanation of the movements:
I) Miri na Fëanor (Jewels of Fëanor)
Before the creation of the Moon and Sun, the world of Arda was illuminated by the light of the Two Trees: shining Telperion and golden GaladloÌriel. They glowed alternately, so there was never darkness in the Undying Lands. Fëanor, the great Noldorin artisan, captured the light of the Trees in crystal silima and crafted three fabulous jewels. The theft of these jewels by the renegade god Morgoth, precipitated all of the disastrous events of the First Age of Beleriand and, indeed, of all Middle-earth in the ages to follow.
II) Tinúviel (Nightingale)
Tinúviel, daughter of Melian the Maia and Thingol of Doriath, and her mortal lover, Beren, succeeded in wresting one of the Jewels of Fëanor from Morgoth’s crown. Thingol had set that feat of daring as the bride price for his daughter’s hand, not expecting Beren to succeed. He did succeed, however, with Tinúviel’s help—but Carcharoth, the great wolf of Angband, swallowed the jewel and Beren’s hand as the couple escaped. Later on, Carcharoth killed Beren and was in turn slain - the jewel was retrieved intact from his carcass. Tinúviel died of grief, following her lover to the Halls of Mandos. There she sang of her grief to the God of the Dead, who granted her choice of returning from the dead with Beren, in exchange for her own immortality.
III) Ancalagon i-môr (Ancalagon, The Black)
The greatest of Morgoth’s winged dragons, Ancalagon the Black was defeated in the War of Wrath by Earendil the Mariner (husband of Elwing, TinuÌviel’s granddaughter). Earendil succeeded in sailing to the Undying Lands using the light of the Jewel of Fëanor, which his wife had inherited. He battled Ancalagon in the sky above Morgoth’s stronghold, and the fall of the dragon crushed the towers of Thangorodrim, punctuating Morgoth’s ultimate defeat.
IV) Arwen Undómiel (Evenstar)
Arwen UndoÌmiel was a direct descendant of Tinúviel of Doriath. It was said that Arwen looked just like her great-great-grandmother. As Queen of Gondor, Arwen considered her mortality, chosen for love of the mortal Aragorn, as did her ancestress, Tinúviel — a lifetime of love versus an eternity bereft of love.
V) Dagor Delothrin (The War of Wrath)
The host of the Valar marched from the Undying Lands in the uttermost West and summoned all Elves and Men to join in confronting the forces of Morgoth. The battle lasted fifty years, but in the end, Morgoth’s fire demons and legions of Orcs were destroyed. Earendil appeared in the sky in his vessel Gwingeloth, along with Thorondor, King of the Eagles, and battle ensued between all the flying creatures. Morgoth was pursued into his mines and finally captured, bound with an unbreakable chain made of tilkal, and cast into the Timeless Void beyond the Walls of the World, to remain there until the breaking of the world.
VI) Thuringwethil (Woman of Secret Shadow)
No one knows how Thuringwethil, the vampire servant of Morgoth, died—but Tinúviel wore her fell on her quest with Beren to steal the Jewels of Fëanor from Morgoth’s crown. Yet even as she sped off to join her beloved Beren at Angband’s gates, Tinúviel could sense that the presence of the bat-woman was still present in her skin, relishing the freedom of that final flight.
für: Solostimme (Sopran), gemischter Chor (SATB), sinfonisches Blasorchester
Partitur
Artikelnr.: 1011193
für: Solostimme (Sopran), gemischter Chor (SATB), sinfonisches Blasorchester
Klavierauszug
Artikelnr.: 1208681
Amstel Concert Band
für: Solostimme (Sopran), gemischter Chor (SATB), sinfonisches Blasorchester
40 Chorpartituren
Artikelnr.: 1208682
Amstel Classic
für: Solostimme (Sopran), gemischter Chor (SATB), sinfonisches Blasorchester
CD
Artikelnr.: 1208683
from Symphony No. 5 - Return to Middle Earth
für: Sinfonisches Blasorchester
Partitur, Stimmen
Artikelnr.: 1011197
from Symphony No. 5 - Return to Middle Earth
für: Solostimme (Sopran), gemischter Chor (SATB), sinfonisches Blasorchester
Partitur
Artikelnr.: 1208680
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